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在喜马拉雅山的另一边，有一个神奇的国度，它的面积很小，但是人数很多，人口密度堪称世界之最，同样，也有着相当丰富的野生生物资源，这个地方就是具有浩瀚历史的印度，在印度这个国家，最出色的不是它的政治经济文化，更不是人民的肤色或者智商，而是那些生活在印度野外的生物，它们才是勾起了一个国家的神秘，这次带来的纪录片，将带你真正走进印度，看看这个神秘国度不为人知的一面！。原作第24話 お花見のお話をオリジナルアニメーションで収録。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。